
Dear Emmy Voter, I get it. There’s a lot of pressure in voting. How do you vote for the best work being done among your peers? And how do you choose the best shows among different formats and genres? And how do you accomplish all that while maintaining your job and other personal duties? And…

I really tried, but apparently I’m not done thinking about these ideas. So here we go! My first Trilogy! Part 3: in which I discuss some of the ways that thinking about action aesthetics in terms of stunt-centric and choreo-centric could be helpful or useful. Application #1: Improving Personal Film Literacy The first way that…

This is Part 2 of my post attempting to more accurately describe and delineate the differences between two general approaches to action. Click here for Part 1, in which I describe the general priorities and emphases of a stunt-centric approach to action. This post will deal with the choreo-centric approach. To recap my goal real…

Intro and Main Claim I originally wanted to call this post: “A Certain Tendency of the American Cinema or, La politique des martial arteurs” in homage to Francois Truffaut’s seminal work, but ultimately decided against it. : ) Since my last post on the Emmy snub of Into the Badlands for Best Stunt Coordination, I’ve been thinking a…

Yes. This is another post about Into the Badlands. Here are some other things I’ve written about the show. Let me get right to it: the Emmys announced their nominations for 2018, and Into the Badlands was snubbed completely. Forget the fact that they have some of the most amazing, beautiful, and original costume, makeup, and…