Film
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Happy Birthday, Jackie Chan: A Look at His Career
It’s #AsianApril and Jackie Chan’s 65th birthday! I actually wrote out a whole giant Twitter thread about this to celebrate it all as an alternative to writing this article. But just as I clicked “Send,” it all disappeared. So, here I am. Back on my blog. Trying to not feel frustrated and just keep moving…
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Stunt-Centric vs Choreo-Centric Part 3: Application
I really tried, but apparently I’m not done thinking about these ideas. So here we go! My first Trilogy! Part 3: in which I discuss some of the ways that thinking about action aesthetics in terms of stunt-centric and choreo-centric could be helpful or useful. Click here for Part 1, and here for Part 2.…
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Stunt-Centric vs. Choreo-Centric Action: Part 2
This is Part 2 of my post attempting to more accurately describe and delineate the differences between two general approaches to action. Click here for Part 1, in which I describe the general priorities and emphases of a stunt-centric approach to action. This post will deal with the choreo-centric approach. To recap my goal real…
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Stunt-Centric vs. Choreo-Centric Action: Part 1
Intro and Main Claim I originally wanted to call this post: “A Certain Tendency of the American Cinema or, La politique des martial arteurs” in homage to Francois Truffaut’s seminal work, but ultimately decided against it. : ) Since my last post on the Emmy snub of Into the Badlands for Best Stunt Coordination, I’ve been thinking…
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Into the Badlands: Why a Brief Harold Lloyd Reference was the Most Amazing Thing Ever
It’s been criminally overdue, but I’m finally catching up on Season 2 of Into the Badlands, and – mark my words – I will never let another season go by to be caught up later! I feel like AMC developed a technology to go into my head, scour the depths of my psyche for everything…
Munib Rezaie, PhD 